{"id":1993,"date":"2016-08-18T04:44:40","date_gmt":"2016-08-18T00:44:40","guid":{"rendered":"https:\/\/entertalkradio.podbean.com\/e\/081716-al-schmitt-%e2%80%93-grammy-winning-producer-with-steely-dan-george-benson-toto-natalie-cole-quincy-jones\/"},"modified":"2020-05-03T10:19:26","modified_gmt":"2020-05-03T06:19:26","slug":"08-17-16-al-schmitt-grammy-winning-producer-with-steely-dan-george-benson-toto-natalie-cole-quincy-jones","status":"publish","type":"post","link":"https:\/\/entertalkmedia.com\/08-17-16-al-schmitt-grammy-winning-producer-with-steely-dan-george-benson-toto-natalie-cole-quincy-jones\/","title":{"rendered":"08\/17\/16 Al Schmitt \u2013 Grammy-Winning Producer with Steely Dan, George Benson, Toto, Natalie Cole, Quincy Jones"},"content":{"rendered":"

As a child living in New York City, \u00a0Al Schmitt would catch the subway on weekends to spend the day at his uncle’s recording studio, observing different engineering techniques. At 19, Schmitt began working with Tom Dowd at Apex Studios in New York City. He worked as an independant engineer at Atlantic Records and Prestige Records, and after moving to California, he started working at Radio Recorders. RCA Records hired Schmitt as a staff producer for their label and a staff engineer at their Hollywood studio. This let Schmitt develop his wide-ranging engineering skills by working with the various pop, jazz, classical, and country … With an unparalleled 24 (twenty-four) Grammy Awards for engineering, Schmitt epitomizes great recording through decades of technological change. The legendary and world-renowned recording engineer received a Grammy in 2002 for Diana Krall’s \u201cThe Look of Love.\u201d Schmitt, who has worked with Krall on her past five albums. Up one aisle you\u2019ll find Frank Sinatra, Henry Mancini, Sam Cooke, Ray Charles, and Miles Davis; up another you\u2019ll bump into Jefferson Airplane, Jackson Browne, Neil Young, Johnny Cash, Willie Nelson, Kenny Rogers and Steely Dan. Round a corner and you\u2019ll encounter Barbra Streisand, Natalie Cole, Madonna, and Quincy Jones mingling with Michael Jackson, Diana Krall, Celine Dion, Paul McCartney, and Michael Buble. Schmitt captured his first Grammy for Best Engineered recording in 1962 for Henry Mancini’s “Hatari”. Nine subsequent Grammy’s in the same category stretched through the decades: 1976: George Benson’s “Breezin'”, 1977: Steely Dan’s “Aja”, 1978: Steely Dan’s “FM”, 1982: Toto’s “Toto IV”, 1991: Natalie Cole’s “Unforgettable,” 1996: Quincy Jones’ “Q’s Jook Joint,” Diana Krall’s “When I Look In Your Eyes,” and two Latin Grammys with Luis Miguel.
\nAl Schmitt’s celebrated engineering and mixing skills are showcased on over 150 gold and platinum albums. In ’97 Al became an inductee into the TEC Awards Hall of Fame. In 2015 Schmitt became the first recording engineer to be presented with a star on the Hollywood walk of fame in front of Capitol records.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

As a child living in New York City, \u00a0Al Schmitt would catch the subway on weekends to spend the day at his uncle’s recording studio, observing different engineering techniques. At […]<\/p>\n","protected":false},"author":1,"featured_media":2038,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"audio","meta":{"ub_ctt_via":"","_vp_format_video_url":"","_vp_image_focal_point":[]},"categories":[74,30],"tags":[],"series":[232],"featured_image_src":"https:\/\/entertalkmedia.com\/wp-content\/uploads\/2019\/01\/Vinyl-Night-Banner-3-1400.jpg","author_info":{"display_name":"EnterTalk","author_link":"https:\/\/entertalkmedia.com\/author\/paulb\/"},"_links":{"self":[{"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/posts\/1993"}],"collection":[{"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/comments?post=1993"}],"version-history":[{"count":0,"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/posts\/1993\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/media\/2038"}],"wp:attachment":[{"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/media?parent=1993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/categories?post=1993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/tags?post=1993"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/entertalkmedia.com\/wp-json\/wp\/v2\/series?post=1993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}